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《午夜.dj高清在线》

  • 9.1分  动作片  南美  
  • 2025  韩语中文字幕  
  • 2025-06-02 22:01:16  8612次播放
  • 导演:布莱思·丹纳
  • 主演:简·怀曼 本·麦肯锡 陈娟娟 黄轩
  • 该剧讲述了:得到的蒋介石的许可,刘湘웃问潘天雄,让他去任涪江☀防团司令,把培江码头☱✍日本人堵回去✒,把日本人扣的船要回☚来,保护长江的航☎☀权,能做到吗?Scorsese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.这就是一部昆✕♡汀·塔伦蒂诺(导演ㄨㄨ)为自己打造的好莱☏坞时光机,把☚观众带到那让人魂牵梦☷√绕的上世纪60年代末。☆

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